I’m a London-based Designer and Set Decorator, working across scripted drama, film and brand environments for over a decade. My multidisciplinary creative practice is rooted in detail-driven design and a belief that the most compelling spaces come from strong creative relationships.

I work closely with directors, DOPs, Producers and creative teams to build environments that feel visually rich and instinctively relatable. My approach is always led by the story, whether that calls for grounded realism or something more heightened and stylised, ensuring each space feels considered, coherent and fully resolved for screen.

I’ve always found that when you bring the right people together, everything works better. Over time I’ve built a network that feels more like an extended creative family than a list of contacts. I work with people I trust, people who are fantastic at what they do and good to be around. That energy carries through the entire process and is a big part of why I feel so proud of the projects I contribute to.

My credits include Netflix’s Heartstopper, which received an Emmy award for Outstanding Series and a BAFTA nomination, and BBC 1’s Ludwig, winner of the International Emmy for Best Comedy.

I’m driven by a curiosity for place and how tactile environments shape story. Working across the UK and Europe and collaborating with counterparts in the USA has allowed me to approach each project with a broadened perspective, adapting to different contexts while maintaining a consistent level of detail and finish.

Alongside the creative and within my teams, I run a structured digital workflow across budgeting, sourcing and team management, enabling clarity and efficiency at every stage of a project. This structure allows me to focus on what matters most: building thoughtful, character-led environments that feel authentic, considered and unmistakably real on screen.

You can read all about my love for design and set decoration in this article featured in House Beautiful.